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1.26, Janet Echelman Denver, CO (2010)
Janet Echelman’s 230-foot-long aerial sculpture “1.26”  suspends from the roof of the 7-story Denver Art Museum above downtown  street traffic to commemorate the inaugural Biennial of the Americas.
The City of Denver asked the artist to create a  monumental yet temporary work exploring the theme of the  interconnectedness of the 35 nations that make up the Western  Hemisphere. She drew inspiration from the NASA Jet Propulsion  Laboratory’s announcement that the February 2010 Chile earthquake  shortened the length of the earth’s day by 1.26 microseconds by slightly  redistributing the earth’s mass. Exploring further, Echelman drew on a  National Oceanic and Atmospheric Administration (NOAA) simulation of the  earthquake’s ensuing tsunami, using the 3-dimensional form of the  tsunami’s amplitude rippling across the Pacific as the basis for her  sculptural form.
The temporary nature of the Biennial and its  accelerated timeline precluded the artist’s use of a permanent steel  armature, as employed in the artist’s previous monumental permanent  commissions. Instead, “1.26” pioneers a tensile support matrix  of Spectra® fiber, a material 15 times stronger than steel by weight.  This low-impact, super-lightweight design made it possible to  temporarily attach the sculpture directly to the façade of the Denver  Art Museum, and this structural system opens up a new trajectory for the  artist’s work in urban airspace.
Because this monumental sculpture is made  entirely of soft materials, it is animated by the wind. Its fluidly  moving form contrasts with the rigid surfaces of the surrounding urban  architecture. At night, colored lighting transforms the work into a  floating, luminous form while darkness conceals the support cables.

Source: Janet Echelman Sculpture

1.26, Janet Echelman
Denver, CO (2010)

Janet Echelman’s 230-foot-long aerial sculpture “1.26” suspends from the roof of the 7-story Denver Art Museum above downtown street traffic to commemorate the inaugural Biennial of the Americas.

The City of Denver asked the artist to create a monumental yet temporary work exploring the theme of the interconnectedness of the 35 nations that make up the Western Hemisphere. She drew inspiration from the NASA Jet Propulsion Laboratory’s announcement that the February 2010 Chile earthquake shortened the length of the earth’s day by 1.26 microseconds by slightly redistributing the earth’s mass. Exploring further, Echelman drew on a National Oceanic and Atmospheric Administration (NOAA) simulation of the earthquake’s ensuing tsunami, using the 3-dimensional form of the tsunami’s amplitude rippling across the Pacific as the basis for her sculptural form.

The temporary nature of the Biennial and its accelerated timeline precluded the artist’s use of a permanent steel armature, as employed in the artist’s previous monumental permanent commissions. Instead, “1.26” pioneers a tensile support matrix of Spectra® fiber, a material 15 times stronger than steel by weight. This low-impact, super-lightweight design made it possible to temporarily attach the sculpture directly to the façade of the Denver Art Museum, and this structural system opens up a new trajectory for the artist’s work in urban airspace.

Because this monumental sculpture is made entirely of soft materials, it is animated by the wind. Its fluidly moving form contrasts with the rigid surfaces of the surrounding urban architecture. At night, colored lighting transforms the work into a floating, luminous form while darkness conceals the support cables.

Source: Janet Echelman Sculpture

(Source: pricklepig, via willanoid)

2 months ago

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    1.26, Janet Echelman Denver, CO (2010) Janet Echelman’s 230-foot-long aerial sculpture “1.26” suspends from the roof of...
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    Echelman’s amazing sculptures.
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